Monday, January 11, 2010
Sample Donation Request Location For Church Event
Raquel, bitter and introverted, has spent 23 years working for Valdés nana, a large family of upper class. Pilar, its patron, hires another maid for help. Raquel feels threaten his place in the family and the newcomer away with cruel psychological abuse. History repeats itself again and again until it is Lucy, a cheerful woman from the provinces, which manages to penetrate the armor of Rachel and change their way of seeing life.
Sebastián Silva stunned audiences with his previous film (La vida me mata). With LA NANA won the Award for Best Foreign Film at the 2009 Sundance Festival and the Colón de Oro for Best Film at the Festival Iberoamericano de Huelva 2009. The film may get horror film dyes by oppression emanating from the psychological journey of Rachel. A clever staging claustrophobia used to film the house of a family of high Chilean society as if it were the labyrinth of Minos, where Rachel has been locked up psychologically.
Sebastián Silva stunned audiences with his previous film (La vida me mata). With LA NANA won the Award for Best Foreign Film at the 2009 Sundance Festival and the Colón de Oro for Best Film at the Festival Iberoamericano de Huelva 2009. The film may get horror film dyes by oppression emanating from the psychological journey of Rachel. A clever staging claustrophobia used to film the house of a family of high Chilean society as if it were the labyrinth of Minos, where Rachel has been locked up psychologically. 
Funny Four Word Sayings
- Can you tell us about your career path?
- After finishing high school in 1998, I enrolled in film school in Santiago de Chile, but soon abandoned the theory classes because the program did not interest me at all. I bought a small video camera and started shooting everything in sight, from family meals to the dogs in the street.
- Join in many artistic activities, but occupied by the cinema the most important?
- I've always drawn. It is a medium where I feel comfortable. I started playing for fun with my best friends, and suddenly the music occupied a central place in my life. From my beginnings until now, I participated in several musical projects and have recorded six albums. But becoming a filmmaker was a surprise to me. I went to film school because I did not like anything else. I thought that studying film would be less boring than the rest. Later that year in school, I started going back and forth between Chile and the United States, looking for ideas. I wrote several scripts, but none convinced me. So I wrote the third I was not satisfied.
- What is the relationship between Nana and her personal history?
- is something on his head since adolescence. I shot a short, I published a photo book about this topic. I was raised by nannies (maids). There was always one or two living at home. Living with them 24 hours a day leaves an indelible mark.
- How did you find Catalina Saavedra? Is it a professional actress?
- not the first time I ask the question and I would like to tell a romantic story, like I met her under a bridge, I took her home, I washed my face and became a star. But it was not.
Catalina is a professional actress who has worked mostly in theater and television, where he played comic characters. Had a minor role in my first film, La vida me mata, and exceptional talent won me over. He was convinced that it must be Rachel.
- How has it worked?
- stayed at my house and we read the script together. We also wanted the perfect voice for the character. Then imagine what it was Raquel physically. Catalina is much more agile than Rachel, and is one of the things that work.
- What are your next projects?
now I'm in New York preparing a new film, Second Child, which tells the story of a homosexual child of eight years for affection.
- Do you see a new generation of Chilean filmmakers?
- I do not think there is a generation that speaks with one voice or have created a style. I think there are different people who make totally different movies, always has been. But today it is easier to make a movie, it costs less money.
- After finishing high school in 1998, I enrolled in film school in Santiago de Chile, but soon abandoned the theory classes because the program did not interest me at all. I bought a small video camera and started shooting everything in sight, from family meals to the dogs in the street.
- Join in many artistic activities, but occupied by the cinema the most important? - I've always drawn. It is a medium where I feel comfortable. I started playing for fun with my best friends, and suddenly the music occupied a central place in my life. From my beginnings until now, I participated in several musical projects and have recorded six albums. But becoming a filmmaker was a surprise to me. I went to film school because I did not like anything else. I thought that studying film would be less boring than the rest. Later that year in school, I started going back and forth between Chile and the United States, looking for ideas. I wrote several scripts, but none convinced me. So I wrote the third I was not satisfied.
- What is the relationship between Nana and her personal history?
- is something on his head since adolescence. I shot a short, I published a photo book about this topic. I was raised by nannies (maids). There was always one or two living at home. Living with them 24 hours a day leaves an indelible mark.
- How did you find Catalina Saavedra? Is it a professional actress?
- not the first time I ask the question and I would like to tell a romantic story, like I met her under a bridge, I took her home, I washed my face and became a star. But it was not.
Catalina is a professional actress who has worked mostly in theater and television, where he played comic characters. Had a minor role in my first film, La vida me mata, and exceptional talent won me over. He was convinced that it must be Rachel.
- How has it worked?
- stayed at my house and we read the script together. We also wanted the perfect voice for the character. Then imagine what it was Raquel physically. Catalina is much more agile than Rachel, and is one of the things that work.
- What are your next projects?
now I'm in New York preparing a new film, Second Child, which tells the story of a homosexual child of eight years for affection.
- Do you see a new generation of Chilean filmmakers?
- I do not think there is a generation that speaks with one voice or have created a style. I think there are different people who make totally different movies, always has been. But today it is easier to make a movie, it costs less money.
Herpes A Military Disqualifier?
INTERVIEW WITH DIRECTOR BIOGRAPHY PRIZE
born
After studying at a Catholic school, he studied cinematography at the Film School of Chile for a year. He dropped out and moved to Montreal and studying animation, but ended up selling shoes. That same year marked the first exhibition of his artwork and created a group called CHC (with whom he recorded three albums.)
During the second exhibition of his artwork, someone convinced him to go see Spielberg and sell him a project. Flew to Hollywood, but the trip was a failure.
returned to present their designs in New York. During his stay in the Big Apple, took to write, with Pedro Peirano, the script of life is killing me, his first feature. On his return to Chile, he recorded a solo album and produced La vida me mata with producer Fable.
born
SILVA SEBASTIAN in Santiago, Chile, in 1979. It is a multifaceted artist whose work includes painting, illustration and popular music.
After studying at a Catholic school, he studied cinematography at the Film School of Chile for a year. He dropped out and moved to Montreal and studying animation, but ended up selling shoes. That same year marked the first exhibition of his artwork and created a group called CHC (with whom he recorded three albums.) During the second exhibition of his artwork, someone convinced him to go see Spielberg and sell him a project. Flew to Hollywood, but the trip was a failure.
Upon his return, started two new music projects, "Yaia" and "Monkey." The latter group was distributed by Sonic 360 and their recordings were distributed in the United States and the United Kingdom.
returned to present their designs in New York. During his stay in the Big Apple, took to write, with Pedro Peirano, the script of life is killing me, his first feature. On his return to Chile, he recorded a solo album and produced La vida me mata with producer Fable.
After this film, wrote a screenplay about his trip to Hollywood and then the script of The Maid, also with Pedro Peirano. As the script ended, Gregorio Gonzalez produced the film in February 2008. In the second half of this year, he wrote a second script, Second Child, now in New York rodándose produced by Lee Daniels.
Skin Problems By Cell Phone
2009 Sundance Festival. - Jury Award for Best Foreign Film
- Special Jury Award for Best Actress, Catalina Saavedra
Huelva Ibero-American Festival 2009.
- Colón de Oro for best film
- Silver Colon for Best Actress (Catalina Saavedra)
- Colón de Plata for best director
Festival of Cartagena de Indias 2009.
- Best Actress, Catalina Saavedra
- Specialized Critics Award for Best Picture
Film Festival Guadalajara (Mexico) 2009.
- FIPRESCI
Latin American Film Festival Lima 2009.
-
Critics Award - First Prize for Best Film Elcine
Festival Miami 2009.
- Special Jury Award: Best Actress, Catalina Saavedra
- Jordan Alexander Ressler Award for Best Screenplay
- Award Inspiration of the International Film Guide for Best New Director
Festival Paris Cinéma 2009.
- Audience Award
- Colón de Oro for best film
- Silver Colon for Best Actress (Catalina Saavedra)
- Colón de Plata for best director
Festival of Cartagena de Indias 2009.
- Best Actress, Catalina Saavedra
- Specialized Critics Award for Best Picture
Film Festival Guadalajara (Mexico) 2009.
- FIPRESCI
Latin American Film Festival Lima 2009.
-
Critics Award - First Prize for Best Film Elcine
Festival Miami 2009.
- Special Jury Award: Best Actress, Catalina Saavedra
- Jordan Alexander Ressler Award for Best Screenplay
- Award Inspiration of the International Film Guide for Best New Director
Festival Paris Cinéma 2009.
- Audience Award
Seating Chart Wedding Dog Ideas
cast and crew
CAST
Raquel .......................... .................................................. ................. Catalina Saavedra Pilar
.............................................. .................................................. ... Claudia Celedon
World .............................................. .................................................. . Alejandro Goic
CAST Raquel .......................... .................................................. ................. Catalina Saavedra Pilar
.............................................. .................................................. ... Claudia Celedon
World .............................................. .................................................. . Alejandro Goic
Camila .......................................... ........................................ Andrea García-Huidobro
Lucy ............................................ .................................................. ...... Mariana Loyola Lucas
.............................................. .................................................. ...... Agustin Silva
Thomas .............................................. .................................................. ... Gabriel Orellana
Darok .............................................. ............................................ Sebastian Rivera
The Mercedes ............................................. ....................................... Mercedes Villanueva Sonia ..............................................
.................................................. ....... Anita Reeves
FILMMAKERS Director ...................................... .................................................. ........ Sebastian Silva
Writers .............................................. .............................................. Sebastian Silva
............................................... .................................................. .............. Pedro Peirano
Production .............................................. ......................................... Gregorio González
Coproductores .......................................... ........................................... Edgar San Juan
................................................ .................................................. ................. Issa War
........................................... .................................................. ........... Sebastián Sánchez
Photography .............................................. .......................................... Sergio Armstrong
Art Direction ............................................. ................................... Pablo González
Mounting .............................................. .................................................. Fillies
Danielle Country: Chile
Production year: 2009
Duration: 95 '
Genre: Drama
Language: Castilian
Lucy ............................................ .................................................. ...... Mariana Loyola Lucas
.............................................. .................................................. ...... Agustin Silva
Thomas .............................................. .................................................. ... Gabriel Orellana
Darok .............................................. ............................................ Sebastian Rivera
The Mercedes ............................................. ....................................... Mercedes Villanueva Sonia ..............................................
.................................................. ....... Anita Reeves
FILMMAKERS Director ...................................... .................................................. ........ Sebastian Silva
Writers .............................................. .............................................. Sebastian Silva
............................................... .................................................. .............. Pedro Peirano
Production .............................................. ......................................... Gregorio González
Coproductores .......................................... ........................................... Edgar San Juan
................................................ .................................................. ................. Issa War
........................................... .................................................. ........... Sebastián Sánchez
Photography .............................................. .......................................... Sergio Armstrong
Art Direction ............................................. ................................... Pablo González
Mounting .............................................. .................................................. Fillies
Danielle Country: Chile
Production year: 2009
Duration: 95 '
Genre: Drama
Language: Castilian
Dragon Blood Doujinshi
THE PRESS HAS SAID
Les Inrockuptibles
Much of the success of this film is due to an excellent cast on top of which is the incredible Catalina Saavedra . A chilling lullaby.
Le Journal du Dimanche
Chilean Sebastian Silva signed a beautiful portrait of a woman on the brink. Catalina Saavedra is masterful.
Le Monde
A cruel and accurate portrait. A very promising movie.
A L'Humanité sequences very well built first drawn with subtlety cohesion and limits of two universes that form a whole. Métro
A comedy funny and sensitive. Positif
Chilean filmmaker demonstrates a rare talent for describing the behavior, besides being an exceptional director of actors.
TéléCinéObs
The second film by Sebastian Silva describes with delicate sharpness paternalistic relations between masters and used, in addition to teaching, through Rachel, a category of people alienated, affectionate, off and totally frustrated.
Much of the success of this film is due to an excellent cast on top of which is the incredible Catalina Saavedra . A chilling lullaby.
Le Journal du Dimanche Chilean Sebastian Silva signed a beautiful portrait of a woman on the brink. Catalina Saavedra is masterful.
Le Monde
A cruel and accurate portrait. A very promising movie.
A L'Humanité sequences very well built first drawn with subtlety cohesion and limits of two universes that form a whole. Métro
A comedy funny and sensitive. Positif
Chilean filmmaker demonstrates a rare talent for describing the behavior, besides being an exceptional director of actors.
TéléCinéObs
The second film by Sebastian Silva describes with delicate sharpness paternalistic relations between masters and used, in addition to teaching, through Rachel, a category of people alienated, affectionate, off and totally frustrated.
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